Portrait of Karl Friedrich du Prel, Louis Eysen, 1881, graphite
#ART #DRAWING
#ART #DRAWING
Mark Puddleglum
muppimhuppim@iris.to
npub1pjek...pud7
I post art mostly. I also sometimes post how I'm thinking about financial charts. #notscifi #notartbot #art #artstr
Portrait of Claus, Louis Eysen, 1895, charcoal
#DRAWING #ART
hWayne Thiebaud, Pie Counter, 1963. Oil on canvas, 29 13/16 × 35 15/16 in. (75.7 × 91.3 cm). Whitney Museum of American Art, New York; purchase, with funds from the Larry Aldrich Foundation Fund. © Wayne Thiebaud / Licensed by VAGA at Artists Rights Society (ARS), New York
#painting #art #pie
#photography #aerial
source: bernhardlang[dot]de/tulipfields/av_tulip_fields_006-3
by Caledonia Curry aka SWOON
#art #painting #drawing
#drawing #figuredrawing #art 
source: instagram[dot]com/p/DRaBTbtCZN1
Harrier and Jaguar. Fiona Banner. Tate Britain Duveens Commission 2010. Sea Harrier
June 2010 - January 2011
#art #installation #aircraft
#art #drawing #figurative
#drawing #art #portrait
source unknown
#drawing #art #portraiture
Cockfight in Flanders / Combat de coqs en Flandre (1889) by Rémy Cogghe (1854–1935)
#painting #art #RémyCogghe #19thCenturyArt #Realism #FlemishTradition #LaPiscineMuseum #oilpainting
Oil on canvas, 206 × 129 cm
Location: Musée La Piscine, Roubaix (accession no. 924‑1‑1)
info source: instagram[dotcom/p/DRhYu20ANoZ/
In this dynamic and charged genre painting, Rémy Cogghe captures the raw energy and social reality of a traditional cockfight — a spectacle deeply rooted in local Flemish culture. The crowded scene is alive with tension: spectators lean eagerly over the periphery, their faces rendered with vivid realism, while the two roosters at the center engage in fierce combat, their movements full of motion and threat.
Cogghe’s masterful use of light and color brings the moment to life: earthy tones predominate, highlighting the grit of the arena and the intensity of the event. The figures’ postures, hats, and rough clothing evoke a working-class milieu, emphasizing the social dynamics at play. Rather than glamorizing violence, the painting conveys a sociological dimension — it’s not just a fight, but a communal gathering where men from different social strata converge, united by tradition and spectacle.
On a deeper level, Combat de coqs en Flandre transcends its immediate subject to reflect on the shared identity of Roubaix’s industrial population. Despite the brutal nature of the fight, Cogghe infuses the scene with a sense of ritual and belonging: this is not chaos, but a performance rooted in long-standing social customs.
Oil on canvas, 206 × 129 cm
Location: Musée La Piscine, Roubaix (accession no. 924‑1‑1)
info source: instagram[dotcom/p/DRhYu20ANoZ/
In this dynamic and charged genre painting, Rémy Cogghe captures the raw energy and social reality of a traditional cockfight — a spectacle deeply rooted in local Flemish culture. The crowded scene is alive with tension: spectators lean eagerly over the periphery, their faces rendered with vivid realism, while the two roosters at the center engage in fierce combat, their movements full of motion and threat.
Cogghe’s masterful use of light and color brings the moment to life: earthy tones predominate, highlighting the grit of the arena and the intensity of the event. The figures’ postures, hats, and rough clothing evoke a working-class milieu, emphasizing the social dynamics at play. Rather than glamorizing violence, the painting conveys a sociological dimension — it’s not just a fight, but a communal gathering where men from different social strata converge, united by tradition and spectacle.
On a deeper level, Combat de coqs en Flandre transcends its immediate subject to reflect on the shared identity of Roubaix’s industrial population. Despite the brutal nature of the fight, Cogghe infuses the scene with a sense of ritual and belonging: this is not chaos, but a performance rooted in long-standing social customs.
by Russian artist Nicolai Fechin
#painting #art
Jules Bastien-LePage’s
Re.: Les Foins 
source: instagram[dot]com/p/DRfa5OKkjFn
#charcoal #portrait #drawing 
source: www.instagram[dot]com/p/C_nqPjMJGSd/
source: www.instagram[dot]com/p/C_nqPjMJGSd/
Andrea Alejandra JC
Puerto Rican Sculptor
Graduate in Residence @ florence academy of art
#sculpture #figurativeart #art
Ronja Arleij
Graduate in Residence @ florence academy of art
#drawing #art #figuredrawing
Rest, Wilhelm Hammershøi,1905
#painting #art
Musée d'Orsay:
Vilhelm Hammershøi, the Danish painter who rose to prominence in the 1880s, is often seen as a descendant of Vermeer or a forerunner of Hopper. His spare interiors and their unsettling aura, however, born of a rigorously minimalist style, are proof enough of his originality.
Hammershøi may well have invented the “back portrait,” turning away from conventional frontal or profile views.
Musée d'Orsay:
Vilhelm Hammershøi, the Danish painter who rose to prominence in the 1880s, is often seen as a descendant of Vermeer or a forerunner of Hopper. His spare interiors and their unsettling aura, however, born of a rigorously minimalist style, are proof enough of his originality.
Hammershøi may well have invented the “back portrait,” turning away from conventional frontal or profile views.
WILLIAM HERBERT (BUCK) DUNTON (American 1878-1936)
#american #art #artstr #painting
Summer Silhouette, circa 1926
Oil on canvas
14 x 14 inches (35.56 x 35.56 cm)
Summer Silhouette, circa 1926
Oil on canvas
14 x 14 inches (35.56 x 35.56 cm)
#drawing #art
source: instagram[dot]com/p/DRC4dMKjdYJ/
source: instagram[dot]com/p/DRC4dMKjdYJ/
Little Fisher
Aaron Coberly
oil on board 14in X 11in
#painting #art #PNW #seattle
Aaron Coberly
Aaron Coberly Art
This is the Art website for Aaron Coberly. Aaron Coberly is a fine art painter and teacher. Aaron Coberly is passionate about Oil Painting, Figures...