"Landing on the planet Regis III, navigator Rohan and his crew discover a form of life that has apparently evolved from autonomous, self-replicating machines — perhaps the survivors of a “robot war.” Rohan and his men are forced to confront the classic quandary: What course of action can humanity take once it has reached the limits of its knowledge?"
https://thereader.mitpress.mit.edu/stanislaw-lems-prescient-vision-of-artificial-life/
#books #bookstr #scifi #StanislawLem
Daniel Khent
danielkhent@nostrplebs.com
npub14220...yxtr
#writing, #AI, #bitcoin, #transhumanism, #postscarcity, #solarpunk, #lunarpunk, #ecopsycology
"In a post-scarcity society, why is the Federation so dull when it comes to eating? This suggests that the availability of any dish at any time via replicator has actually stifled the culinary traditions of Earth and perhaps the Federation at large."
Finally, someone gets how evil post scarcity is.
#postscarcity #startrek #scifi

Did Post-Scarcity Kill Earthlings' Culinary Traditions?
Let's look at why the culinary habits of 24th Century humans are stuck in the 20th.
#postscarcity #startrek #scifiThe 2023 U.S. Department of Agriculture's "plant hardiness zone map" is about 2.5 degrees Fahrenheit warmer than the 2012 map across the contiguous U.S.
https://www.npr.org/2023/11/17/1213600629/-it-feels-like-im-not-crazy-gardeners-arent-surprised-as-usda-updates-key-map
#climatechange #solarpunk


Lee Morgan – The Sidewinder
https://song.link/i/724507033
#jazz #music #vinyl #nowplaying
Bass – Bob Cranshaw
Design – Reid Miles
Drums – Billy Higgins
Engineer – Rudy Van Gelder
Liner Notes – Leonard Feather
Mastered By – Ron McMaster
Photography By [Cover] – Francis Wolff
Piano – Barry Harris (2)
Producer – Alfred Lion
Tenor Saxophone – Joe Henderson
Trumpet – Lee Morgan
"Bifacial solar panels capture diffused or reflected sunlight that hits the back of the panel, rather than only capturing solar energy on the sun-facing side ... Researchers are already exploring ways to enhance this ‘ground albedo’ effect with different types of ground coverings, including vegetation. That could lead to additional enhancements in solar cell efficiency on farmland."
#solarpunk #renewableenergy


CleanTechnica
Bifacial Solar Panels To Unlock Agrivoltaic Potential
New bifacial solar panels could help make the economic case for agrivoltaic projects that help farmers conserve water and soil, too.

"Portugal produced more than enough renewable power to serve all its customers for six straight days."


Canary Media
Portugal just ran on 100% renewables for six days in a row
For nearly a week, the country of 10 million met customer needs with wind, hydro and solar — a test run for operating the grid without fossil fuels.
Jazz singer Mandy Chan sings #Shanghai #Jazz
#dieselpunk
Q: What are the psychological reasons we might avoid acting on the information we have about climate change?
A: Fight, flight and freeze mechanisms are an integral part of the older part of the brain … It’s affective, and it’s emotional … When you’re presented with traumatic information, the self-regulatory processes that normally work in a fluid manner are disrupted to the point where you cannot take in information.
#ecopsychology #solarpunk #climatechange


Boulder Weekly
NCAR scientist turned ecopsychologist talks climate anxiety - Boulder Weekly
Jeff Kiehl had been a climate scientist at NCAR — now he's focused on coping with climate anxiety. Kaylee Harter. Boulder Weekly.
Sidney Bechet – The Grand Master Of The Soprano Saxophone And Clarinet
#jazz #music #vinyl #nowplaying
Clarinet – Sidney Bechet (tracks: A1, A3 to A5, B1 to B6)
Ensemble – Bob Wilber's Wildcats (tracks: A2, A6, B3), Sidney Bechet Quartet (tracks: A1, A4, A5, B1, B2, B4, B6)
Liner Notes – George Avakian
Performer [Quartet], Bass – Pops Foster (tracks: A1, A4, A5, B1, B2, B4, B6)
Performer [Quartet], Drums – Arthur Herbert (tracks: A1, A5, B1, B2, B4, B6), Freddie Moore (tracks: A4)
Performer [Quartet], Piano – Lloyd Phillips (2) (tracks: A1, A4, A5, B1, B2, B4, B6)
Performer [Wildcats], Bass – Charlie Traeger (tracks: A2, A6, B3)
Performer [Wildcats], Clarinet – Bob Wilber (tracks: A2, A6, B3)
Performer [Wildcats], Cornet – Johnny Glasel* (tracks: A2, A6, B3)
Performer [Wildcats], Drums – Dennis Strong (tracks: A2, A6, B3)
Performer [Wildcats], Piano – Dick Wellstood (tracks: A2, A6, B3)
Performer [Wildcats], Trombone – Bob Mielke (tracks: A2, A6, B3)
Performer, Baritone Saxophone – Ernie Caceres (tracks: A3, B5, B7)
Performer, Bass – Henry Turner (tracks: A3, B5, B7)
Performer, Drums – Zutty Singleton (tracks: A3, B5, B7)
Performer, Electric Guitar – Leonard Ware (tracks: A3, B5, B7)
Performer, Piano – Dave Bowman (tracks: A3, B5, B7)
Soprano Saxophone – Sidney Bechet (tracks: A2, A6)
Clarinet – Sidney Bechet (tracks: A1, A3 to A5, B1 to B6)
Ensemble – Bob Wilber's Wildcats (tracks: A2, A6, B3), Sidney Bechet Quartet (tracks: A1, A4, A5, B1, B2, B4, B6)
Liner Notes – George Avakian
Performer [Quartet], Bass – Pops Foster (tracks: A1, A4, A5, B1, B2, B4, B6)
Performer [Quartet], Drums – Arthur Herbert (tracks: A1, A5, B1, B2, B4, B6), Freddie Moore (tracks: A4)
Performer [Quartet], Piano – Lloyd Phillips (2) (tracks: A1, A4, A5, B1, B2, B4, B6)
Performer [Wildcats], Bass – Charlie Traeger (tracks: A2, A6, B3)
Performer [Wildcats], Clarinet – Bob Wilber (tracks: A2, A6, B3)
Performer [Wildcats], Cornet – Johnny Glasel* (tracks: A2, A6, B3)
Performer [Wildcats], Drums – Dennis Strong (tracks: A2, A6, B3)
Performer [Wildcats], Piano – Dick Wellstood (tracks: A2, A6, B3)
Performer [Wildcats], Trombone – Bob Mielke (tracks: A2, A6, B3)
Performer, Baritone Saxophone – Ernie Caceres (tracks: A3, B5, B7)
Performer, Bass – Henry Turner (tracks: A3, B5, B7)
Performer, Drums – Zutty Singleton (tracks: A3, B5, B7)
Performer, Electric Guitar – Leonard Ware (tracks: A3, B5, B7)
Performer, Piano – Dave Bowman (tracks: A3, B5, B7)
Soprano Saxophone – Sidney Bechet (tracks: A2, A6)"The punk in both solarpunk and cyberpunk refer to rebellion."
Dami Lee. Always interesting.
#solarpunk
"Rather than drinking real alcohol, Starfleet officers can drink this new substance [synthehol] which balances the pleasurable effects of getting a buzz on. However, in case of the odd all-hands Red Alert, synthehol does not have the deleterious effects real alcohol has."
Once again science has failed to deliver.
#postscarcity #startrek #flyingcars #scifi


CBR
Synthehol: Star Trek's Sci-Fi Take on Alcohol, Explained
Of the many strange concepts on Star Trek, from warp speed to a post-scarcity economy, but none more confusing than the fake alcohol called snythehol.
"A new study from King’s College London found that bird sightings and sounds have a positive impact on people’s mental wellbeing."
#ecopsycology
https://thehill.com/changing-america/well-being/mental-health/3705500-being-around-birds-can-improve-mental-health-research-shows/
"World Economic Forum–adjacent thinkers call for a 'farm-free future' with food primarily manufactured via precision fermentation and other scientific processes that result in products like lab grown meat ... How did the environmental and conservation movements become so divided?"
The existential question is: in ten years will it even be possible to have conventional farming and will we be forced to make food synthetically.
#solarpunk #climatechange
https://www.theamericanconservative.com/against-a-dystopian-farm-free-future/


Anyone know how real Sulfur Selenium Solid-State Batteries are?
#batterytechnology #emergingtechnology #solarpunk


CleanTechnica
Sulfur Selenium Solid-State Battery From NASA Breaks Energy Storage Boundaries - CleanTechnica
What if batteries had two or three times more power than today's best lithium-ion batteries? And what if they also had no liquid or semi-liqui...

Eddie Heywood – Jumpin Keyboard
#jazz #music #vinyl #nowplaying


"...light is only produced after the gravitational wave signal has ended, and may further be delayed by having to pass through the circumstellar material. This is why, even though light and gravity both travel exactly at the speed of light in a vacuum, the light we saw didn’t arrive until nearly 2 seconds after the gravitational wave signal ceased."
#astronomy


Big Think
Light and gravity travel at the same speed, but don't arrive together
In 2017, a kilonova sent light and gravitational waves across the Universe. Here on Earth, there was a 1.7 second signal arrival delay. Why?
"Millions of young birds die from extreme heat in farm fields across America in what researchers say is a growing threat from climate change that could affect avian populations."
#climatechange #solarpunk


E&E News: High heat is killing birds on American farms — study
Worsening heat waves in agricultural areas are affecting bird reproduction and nestling survival.

"The end of boring meetings: why workers are sending robots instead."
This can't be real fast enough...
#robots #officework


the Guardian
The end of boring meetings: why workers are sending robots instead
They can take notes, make suggestions – and critique your performance if you do deign to turn up. So what if they’re faceless drones?

"Rhythmic Refrains: Counting Time through Duke Ellington and Fred Waller's Jazz Shorts"
In the 1920s and 1930s, Duke Ellington collaborated with several directors who narrativized his compositions for short films; Ellington's collaborations A Bundle of Blues (1933) and Symphony in Black (1935) with Fred Waller, Paramount's special‐effects man turned director, remain just out of step with the many other jazz shorts from the period. While synchronization was well‐utilized by the time Ellington and Waller's films were released, their films are notable for the absence of synchronized tap sounds.
#jazz #1930s
https://read.dukeupress.edu/liquid-blackness/article/7/2/28/382446


The Art Farmer Quartet* Featuring Jim Hall – "Live" At The Half-Note
https://song.link/i/322124526
#jazz #music #vinyl #nowplaying
Bass – Steve Swallow
Cover – Marvin Israel
Drums – Walter Perkins
Engineer [Sound] – Joe Atkinson, Phil Iehle, Tom Dowd
Flugelhorn – Art Farmer (tracks: A1 to B2)
Guitar – Jim Hall
Liner Notes – Martin Williams
Photography By – Lee Friedlander
Supervised By – Arif Mardin
Bass – Steve Swallow
Cover – Marvin Israel
Drums – Walter Perkins
Engineer [Sound] – Joe Atkinson, Phil Iehle, Tom Dowd
Flugelhorn – Art Farmer (tracks: A1 to B2)
Guitar – Jim Hall
Liner Notes – Martin Williams
Photography By – Lee Friedlander
Supervised By – Arif Mardin