Van Gogh's evolution • The Netherlands 1884 • Provence 1890 _____________________________ Isolabellart's evolution • LIGHTHOUSE ON WHITE CLIFF 2022 • CLIFF REMAINS 2025

I'VE BUY THE DIP, YOU?

I’m glad I haven’t seen the Cash App Wand here on Nostr yet.

Many artists came to Nostr and left. I'm still here. Not because I'm stronger or more consistent. It's something simpler and more human: I found my own way of moving with the current. Freedom without structure, without immediate returns, without clear feedback for many, it becomes silence. And silence, if you mistake it for emptiness, pushes you away. I know that silence. It's the same one I find in front of a canvas when the mark won't come, when the painting gives nothing back. I don't read it as failure. I read it as space. Nostr doesn't reward speed. It doesn't reward vanity, except in brief flashes. It rewards a quiet, almost agricultural resistance: sowing without knowing if it will rain. Many come looking for a mirror. I've instead accepted that, in here, the mirror is sometimes absent but this doesn't make what I do any less real.

Isolabellart

Isolabellart

Original oil paintings

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Nostr doesn't have a protocol problem. It has a people problem. We've built clients, chats, communities, marketplaces, and streaming apps that often don't talk to each other. The result? 1,000 users spread across 100 different places experience a network that feels empty. New users don't want to learn about relays, NIPs, and client differences. They want to join, find people, and start interacting. Instead of building more islands, let's build a shared "Nostr Core Experience": • A minimum interoperability standard for clients, communities, chats, marketplaces, and streaming apps • Identity, profiles, contacts, notifications, and messages available everywhere • Shared discovery of people, content, and communities • A unified onboarding experience • Public certification for projects that follow these standards The next breakthrough for Nostr isn't a new protocol. It's making one network feel like one network. Otherwise, we risk building the freest network in the world... while making it harder and harder for people to find each other. Thank you so much for reading this far. 🙏🫂🎨

What is essential is invisible to the eye.

Online. ☕

Running #wisp android since alpha version, but stay humble.

👇👇👇👇👇👇👇👇👇👇👇👇👇

Moonstr

🟠 isolabellart - Wall of Love | Moonstr

Discover what my amazing art lovers have to say about me.

Hey Nostr, every now and then it's worth introducing yourself to those who don't know you yet. My name is Carlo Isolabella, known as isolabellart. I'm an oil painter. I've shared my work on various platforms over the years. But only here on Nostr have I found real connections — dozens of paintings sold to nostriches, shipped around the world with complete trust and no friction. My paintings draw inspiration from the visible beauty of the world and from everything that exists just beneath its surface. If you're curious, visit my site to explore my work and buy original paintings in Bitcoin:

Isolabellart

Isolabellart

Original oil paintings

#introductions

I’ve just read a comment on Twitter that says, “If you’re doing a 9-hour job, it’s because that’s what you want to do with your life!!! Otherwise, change it!!!” The “where there’s a will, there’s a way” philosophy has really messed with your heads.

Online. ☕

Offline. 🫂🎨

BLOW YOUR MIND Jamiroquai View article →" target="_blank" rel="noopener">https://5jsjq2jytkqh7mc1l5ylux3bsmzhkxpbq82ocsv8v74sir3b6wgruuv.nsite.lol/?naddr=NOSTR_0 #gruuv

#foodstr

I paint for people who want to own something real. Not a print, not a file — a unique, handmade object, available for bitcoin. I'm on Nostr because I believe people who understand financial sovereignty also understand the value of an original work. If you're curious, my work is at:

Isolabellart

Isolabellart

Original oil paintings

No filter. No prompt. No algorithm. Just paint, canvas, and a moment that happened once. One original. Forever. Is it yours? View quoted note →

You understand scarcity. You know that the most valuable things can't be copied. This moment — this exact quality of light — existed once. I was there. I saw it. I painted it with my hands. No filter. No prompt. No algorithm. Just pigment, canvas, and the kind of attention that only a human being can give to a fleeting thing. There is one. There will never be another. The birds crossing that sky won't cross it again. The figure on the shore has already walked away. But here — in this painting — that moment is still happening. Is it yours? View quoted note →

EVANESCENZE

Isolabellart

EVANESCENZE - Isolabellart

Oil on board