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-THE BORACAY ISLAND LIFE-
THE DOOMSDAY DJ:
TUNES FOR THE POST APOCALYPSE

On this day in 1977, the Eagles LP “Hotel California” went to #1 on the US Billboard 200 Albums Chart (January 15)
It was their first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, and is the last album to feature bass player Randy Meisner.
“Hotel California” is one of the most iconic and best-selling albums of all time.
It has been certified 26× Platinum in the US, and has sold over 32 million copies worldwide, making it the band's best-selling album after “Their Greatest Hits (1971–1975)”.
The album went to #1 in the US, Australia, Canada, the Netherlands, New Zealand, and Norway.
It has been ranked as one of the greatest albums of all time.
In 2003 and 2012, it was ranked #37 on Rolling Stone's list of "The 500 Greatest Albums of All Time".
Three singles were released from the album, with two topping the US Billboard Hot 100, "New Kid in Town" and "Hotel California", whilst "Life in the Fast Lane" reached #11.
The album was also nominated for Album of the Year but lost to Fleetwood Mac's “Rumours”.
While the band were recording the album, Black Sabbath were recording “Technical Ecstasy” in an adjacent studio at Criteria Studios in Miami.
Eagles were forced to stop recording on numerous occasions because Black Sabbath were too loud and the sound was coming through the wall.
The last track of the album, "The Last Resort", had to be re-recorded a number of times due to noise from the next studio.
In an interview with the Dutch magazine ZigZag shortly before the album's release, Henley said:
“This is a concept album, there's no way to hide it, but it's not set in the old West, the cowboy thing, you know. It's more urban this time….
It's our bicentennial year, you know, the country is 200 years old, so we figured since we are the Eagles and the Eagle is our national symbol, that we were obliged to make some kind of a little bicentennial statement using California as a microcosm of the whole United States, or the whole world, if you will, and to try to wake people up and say,
‘We've been okay so far, for 200 years, but we're gonna have to change if we're gonna continue to be around.'"
Henley said of the themes of the songs in the album:
“They're the same themes that run through all of our work: loss of innocence, the cost of naiveté, the perils of fame, of excess; exploration of the dark underbelly of the American dream, idealism realized and idealism thwarted, illusion versus reality, the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of peace, love and understanding."
The front cover artwork is a photograph of The Beverly Hills Hotel shot just before sunset by David Alexander with design and art direction by Kosh.
The image was shot 60 feet above Sunset Boulevard on top of a cherry picker.
The rear album cover and gatefold was shot in the lobby of the Lido Hotel in Hollywood.
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