🌊 SURF 'N TURF 🏝️
-THE BORACAY ISLAND LIFE-

On this day in 1987, the Suzanne Vega single “Tom’s Diner” was released (July 6)
The "Tom's Diner" in the song is actually Tom's Restaurant on the corner of Broadway and 112th Street in New York City, which later became famous as the location used for the exterior scenes of Monk's Café in the brilliant 1990s sitcom Seinfeld.
While majoring in English literature at Barnard College on Manhattan's Upper West Side, Suzanne Vega was a regular at Tom’s Restaurant, and wrote the song in about 1981, when she was about 22 years old.
The idea for the lyric came from a conversation with her friend Brian Rose, a photographer, who had told her that in his work he sometimes felt as if he saw his whole life through a pane of glass, as though he were a witness to things but never really involved in them.
Vega tried to write in that mode, adopting the perspective of an alienated observer sitting in the diner on a rainy morning. "I came out of Tom's with the idea of writing a song about an alienated character who just sees things happening around him," she told The Guardian in 2016. "I was walking down Broadway and the melody popped into my head."
Even at that early stage, she performed the two minute song a cappella, originally imagining it with piano accompaniment, "… but I didn't play piano, and I couldn't afford a pianist, and I didn't feel like arranging it."
She later recalled that when she tried it unaccompanied, "it worked better than I could have imagined."
It was first released as a track on the January 1984 issue of Fast Folk Musical Magazine, which was a combination magazine and record album published from February 1982 to 1997.
In 1984, she received a major label recording contract, making her one of the first 'Fast Folk' artists to break out on a major label.
The song then featured on Suzanne Vega’s second studio album, “Solitude Standing” (1987), it was released as a single in Europe only in 1987 following the success of her single "Luka".
Later, the song came to the attention of Karlheinz Brandenburg, a German electrical engineer working on his PhD at the Fraunhofer Institute, who was one of the key figures developing the audio compression algorithm that would become the MP3.
He had read in a hi-fi magazine that Tom's Diner was used to test loudspeakers, and decided to test what the a cappella recording would do to his compression system.
“The result was, at bit rates where everything else sounded quite nice, Suzanne Vega's voice sounded horrible," he recalled in a 2009 Swedish documentary.
Brandenburg and his colleagues used Tom's Diner as one of the notorious problem tracks while refining audio compression, and Brandenburg later said he listened to it repeatedly as he adjusted the algorithm to preserve the subtlety of an unaccompanied human voice.
The association earned Suzanne Vega the informal title "Mother of the MP3”.
Karlheinz Brandenburg eventually met Suzanne Vega and heard Tom's Diner performed live, and in 2007, Vega visited the Fraunhofer Institute laboratory to receive a certificate marking the connection.
In another twist for the song, in 1990, two British record producers under the name DNA remixed "Tom's Diner", grafting Vega's vocals onto a dance beat from Soul II Soul ("Keep On Movin'")
It was impossible to get a whole song into a sampler, so they spent evenings and weekends cutting Vega's vocals into little bits.
Without permission from Vega, her record label, or publisher, the duo released the remix on a limited basis for distribution to clubs as "Oh Suzanne" by "DNA featuring Suzanne Vega".
Vega's record company of the time, A&M, decided to buy and release the remix rather than take DNA to court for copyright infringement.
Suzanne Vega commented:
"Three years later, I heard that two young English guys called DNA had put a beat to it – and I cringed.
I'd just had a big hit with "Luka", which – unfortunately, despite its dark subject matter, child abuse – lent itself to all sorts of parodies and covers, most of which I hated.
I feared more of the same, but to my great relief I loved what DNA had done!
I thought it would be played in a few dance clubs and that would be it, but it surpassed everyone's expectations.
I even got a plaque for it being one of the most played R&B songs – funny for a folk singer!”
The DNA remix made it to #1 in Switzerland, Austria, Germany and Greece, #2 in the UK and Ireland m, #3 in Belgium, #4 in the Netherlands, #5 in the US, #8 in Australia and New Zealand, #9 in Spain and Italy, and #13 in Canada.
#suzannevega, #tomsdiner, #mp3, #dailyrockhistory, #solitudestanding,
"Pure signal, no noise"
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