My friend’s record label that I’m helping has its first show in Queens, New York next week. She doesn’t know that her first EP is going to be released on Wavlake too.

I love informational realism and the material-semiotic approach. They have important differences, but both schools of thought try to understand reality itself, including how we perceive reality, how we obtain information, and how we create meaning from it as fundamental parts of reality. Human consciousness cannot be separated from the nature of reality, because as humans we are trapped within our own consciousness. Reality and our perception of it can never be fully separated, just as the information processing within our minds can never be separated from the world we are trying to understand. In the end, how we assign meaning to things is a fundamental part of reality itself.

Yeah, you know what I would say? Follow your heart, is the number one rule. Follow your heart, like, 'lotta people might not see your vision yet. You know what I mean. People might call you crazy or think it won't make sense. Follow your heart and just follow it all the way through. And that's when you'll see you're making new ground and people will appreciate it later on, nahmean? It's really about what you see and you know, what you have inside. Everybody is unique individual here, you nahmean, so, you have something to contribute. So whatever it is, follow that and bring it out and share it at the table with all of us, you know what I mean? MF DOOM

A cold afternoon beer on a warm spring day. This is happiness sometimes.

QUESTION: Do you know how old I’ll be by the time I learn to play the piano? ANSWER: The same age you will be if you don’t.

I love Bitcoin

Not really a plot twist. This always kinda looked like the endgame.

:)))))))))))))))))))))))))))

This would be my Met Gala outfit.

After Yang (2021) #vezirewatches

Past and futures of humanity. Speculative futures. Collapse and rebirth cycles. Techno-futures. Post-human imaginaries. Networks of human and nonhuman actors. Interfaces as power. Objects as politics. Everyday life shaped by platforms and tools. Radical designers. Fashion as narrative system. Future artifacts. Design as questioning not solving. Ottoman history. Aesthetics of power. Islam. Taoism. Wu wei. Softness as strength. Dreams. Astrology. Cycles of time. Lucid dreaming. Altered states. Consciousness. Resistance. Alternative internet. Decentralization. Commons. Anthropology. Art. Surrealism. Intuition. Mythology. Archetypes. Collective symbols. Recurring narratives. Esotericism. Entropy. Melancholia. Hyperreality. Revolutions. Dervish groups. Cyclical time. Nonlinear storytelling. Near death experience. Cybernetics. Sacred spaces. Rise and fall. Synchronicity. Rituals. Imagination. Cyborgs. Identity beyond biology. Forms of existence outside human cognition. Edges of knowledge. Void. Nothingness. Void. Nothingness. Awe. Beauty and terror. Absurdity. Everyday tools. Micro-acts of rebellion. Archives of the future. Oscillation between extremes. Failure of language to capture reality. Collective unconsciousness. My favorite topics to read.

Nostalgia is a dirty liar that insists things were better than they seemed.

yas

poppy field ❤️

My friend is building a record label and said she needed to hire a web designer. I told her we can just vibe code it. I asked replit to build a record label website and it was done in minutes. Crazy times we’re living in...

Reassembling the Social: An Introduction to Actor-Network Theory by Bruno Latour It’s a book that explains the approach of Actor–Network Theory. Its core argument is that “the social” is not a pre-existing domain but is constantly assembled and reassembled through connections between heterogeneous actors. Both human and non-human. I will ground my thesis in this theoretical approach so I took around 40 pages of notes while reading and I know I’ll return to this book again and again over the next two years. Continuing my mission to read every book by Bruno Latour. #vezirereads

Ashik Kerib (1988) #vezirewatches

Givenchy 1999