@OpenMike this sounds like a job for you. But if that doesn't work out then @walker and I can go the feet route 😂

@all I have reached out… sadly it’s not as easy as a purple pill when your back catalog has legacy royalties. Big artists won’t be able to use their back catalog in V4V without convincing their past shareholders but we CAN create a future where artists control their own businesses and revenue for the first time ever. I sometimes feel like I time travel between the future and the past ✨ straddling both is hard. Please keep sending people our way and @npub1d9a9...w3fp is the best place to learn more and understand how to navigate this.

@Derek Ross don’t forget to send people to @npub1d9a9...w3fp too they are the experts on recorded music IP, shareholder royalties and V4V music distribution. Anyone who has been with a major label, even if they are now independent, will have many questions. PPM can help with this. 💜

@npub14gd2...kmsk is ready.

Message received as I sit here @JUST LOUD taking a selfie with @Bhean at @TABConf 8 - Oct 12-15, 2026 ATL party. Coincidence?

Two babes one pic

+1 most don’t realize @npub1d9a9...w3fp is just getting started and there is a lot going on bts with music rights If you’re on artist, reach out to them!

👀👀 Do past royalty agreements affect future work? cc @OpenMike

@elsat, YES. Legacy artists (like Lily, U2, Weird Al - anyone) with current or past publishing agreements will have challenges distributing a back catalog in V4V. It can be done, but it takes some finessing, that's where @npub1d9a9...w3fp can help. www.phantompowermusic.io

💯👆

This is one of the best moments of the conference 🥹