Time for a long retrospective note, a shoutout to a few guys, and some thoughts on value-for-value. Bear with me for a bit. It’s been a little over two months since I introduced my photography project on Nostr, and while I was cautiously optimistic at the beginning, I wasn’t prepared for what followed. I’ve been shooting photography in all sorts of genres, mostly landscapes, for about eight years now. That number is mostly a vanity metric when you don’t shoot daily like me, but I’ve always aimed for quality over quantity. And even though I think I’ve done a decent job over the years, I’ve often fallen into the trap of comparing myself to others more than I’d like to admit. I believe social media has a lot to do with that. When you’re on Instagram, for example, you’re just one above-average photographer fighting for attention in a sea of people who are more experienced, better equipped, and often more proficient than you. If you grind hard enough and get lucky with the algorithm, maybe after many years of struggle, you’ll sell a photo or win a random contest. But the odds of that happening in perpetuity are about the same as hitting the lottery. People don’t really grasp how many photographers actually exist out there. Billions of people walk around with a camera in their pocket today. And according to the latest statistics, over seven million standalone cameras were bought in 2023 alone. That means there are tens of millions of serious photography enthusiasts and professionals worldwide. Those are your odds if you choose to compete. Some people sense this subconsciously and just give up halfway. I know quite a few who did. Luckily, I noticed the social media trap a few years back and walked away. I had a few thousand followers on Instagram and a couple of other platforms, and one day I burned it all down and never looked back. That’s why I was hesitant to start something again — this time on Nostr. I wrestled with the idea for some months. I had already moved all my portfolio shots to a website back in 2021 and was content sharing them quietly, with only close friends and family occasionally taking a look. It felt pointless to change that. I hadn’t sold a picture or farmed likes in years and still found real fulfillment shooting in complete obscurity. Still, Nostr had its appeal — it checked all the right boxes for me: no algorithm to manipulate you, barely any photographers, a built-in tipping system over Lightning, and a culture that values authenticity over vanity metrics. Monetization was never the goal; I’ve always been about the experience and the sense of self-accomplishment. But hey, a few zaps along the way don’t hurt. So I tweaked my website a bit and added the option to buy high-resolution images for some extra sats. I didn’t expect much, yet somehow I ended up selling ten pictures in just two months. The first shoutout goes to my first customer, @Orange Dad, who went ahead and bought five right off the bat. He later told me he planned to print and frame them in his home because they reminded him of his grandparents’ lake house. I can’t describe how good that felt — knowing that someone halfway across the world found my work valuable and emotional enough to hang on a wall and look at every day. I think I bragged about it for a week straight. 😂 So thank you, Orange Dad — you made me proud of what I do. 🫂 I also want to mention @First Man Photography from First Man Photography, who shared one of my images with his larger Nostr audience and helped me make that first sale. Adam’s one of my favorite photographers on Nostr, and I’ve become a regular viewer of his YouTube channel — it’s excellent and deserves more attention. 💪 And last but not least, @🟠 isolabellart — an incredible painter who reached out of nowhere and asked if he could paint one of my photos. That was a huge honor I didn’t expect or think I deserved. The piece he created absolutely blew my mind with its attention to detail and how perfectly it captured the mood. 🤯 Check out his work and buy a painting if you can spare the sats — he’s worth it, and I have no doubt you’ll enjoy having his art on your wall. I also can’t forget everyone who’s zapped or engaged with my posts so far — I notice you, and I appreciate it. I hope my images bring a bit of light to your day and maybe inspire you to get out, explore, and enjoy nature the way I do. We can stay vigilant Bitcoin psychopaths and still touch some grass at the same time. 🤙 To wrap this up — Nostr is an amazing place for value-for-value, especially for artists worn down by the social media grind. It’s a place to rediscover motivation in a genuine, organic way. You’ll find friends and collaborators along the way too. Journeys are always better shared, and I’m grateful I get to share mine with so many like-minded people. View quoted note →

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What's so cool about this post is that I was lurking here for a few weeks before I posted. Then @🟠 isolabellart posted a painting that immediately resonated and I reached out purchase it. The people that organpilled me explained that bitcoin is money and I need to spend and replace. And I've heard @Jeff Booth say that multiple times as well. It was a significant amount of sats for me to get the painting, but it was a birthday present to myself for a milestone birthday that marked "before bitcoin/after bitcoin" as I'm relatively new to bitcoin. The process of it being sent from Europe to the U.S. was seamless, and his communication was great. Fast forward a few weeks and I was staying with my dad while he was undergoing some medical treatment. He slept a lot, so I'd sit on his back porch after some laptop work and scroll nostr. I found @First Man Photography and loved him images. And then I read a post about value-for-value on his site. That immediately resonated. I wanted to buy one of his images, but I couldn't afford it - perhaps in the future. But soon after - or maybe the same day - he reposted one of your images. I spent time on your site - which is such a treat - and reached out. We connected, I sent the sats, and then you give me an extra image. I was so excited, and grateful, for that unexpected gift. I'm moving in a couple of weeks and the house will have several images from you that are #worththesats (and there is one from Jeppesenphotography that I want to get blow up too). Finally, I didn't realize you were the same person who had really thoughtful - and a bit edgy - notes on bitcoin. I was so pleased to know that the guy behind the camera is much, much further down the bitcoin rabbit hole than me. I love, "We can stay vigilante Bitcoin psychopaths and still tough some grass at the same time." I'm so glad we're in touch, and I can't wait to get the images on the walls before the end of the year. 🙏 👊 #bitcoin #circulareconomy #value4value #worththesats
Yeah, I’m a toxic Bitcoin maximalist that can be a stark contrast to my artistic side. 😅 That’s why I separated both accounts, since I tend to have some hot takes.
Ah man, I appreciate the post very much ( and the shoutout) and it resonates. It's been over a year now since I gave up Insta, Twit, etc. It was pure noise and i'm so much better off without it in my life. I've always felt that succeeding alone is completely retarded. Nostr and value for value systems are the antithesis of this. I love the ride together, die together mentally that it fosters. Despite this I am still somewhat sceptical about the sustainability of value for value. In my YouTube normie world, depsite constantly promoting it, value for value accounts for a tiny portion of my content related income. Sponsorship and advertising still account for the vast majority. I think part of this is the sheer convenience, discovery and network effect provided by Youtube. You've inspired me however to make more of an effort. Also, I think you're an excellent photographer and enjoy your work.
Hey Adam, great to hear back from you. Value-for-value tends to flourish in smaller, more deliberate communities — YouTube just doesn’t quite fit that. The shift won’t happen overnight, but every creator who leans in helps chip away at the old model. I’ve actually seen it work firsthand. Back in 2008, I built a movie subtitles site that grew fast, and soon the hosting bills hit thousands of dollars. Me and the team couldn’t afford it and we were considering closing it down or clogging it with advertisings. 17 years later, the website is still online — and every year, the community fully covers the operational costs, purely on a voluntary basis. We don’t do advertising or sponsored content. Our fans are just thankful we translate their favourite movies for free and maintain a pretty big library.